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DISCLAIMER NO COPYRIGHT INFRINGEMENT OR COMMERCIAL GAINS ARE INTENDED , THIS IS ONLY BEING USED FOR EDUCATIONAL ARTISTIC AND INFORMATIVE PURPOSES ONLY ,THANK YOU; ;;WHEN AN ANGEL TREADS ON THE PATH OF INQUISITION –
a stalker a stranger a voyeur or an innocent delinquent —

shashilal nair dares tread a path few makers explore in this study of pre-pubescect sexual behaviour in a mumbai tenenment ,

an infatuated teenager aditya spies on his voluptuous neighbour with a telescope in a reminder of hitchcock s rear window.

is it love lust or just curiosity is primal as the woman remains unaware and oblivious of his intentions,

the camera turns from curiosity to lust to vexation and ultimately frustration and disappointment but it remains focused and true to the vision it explores ,

this story is taken a step furter from the sexual epic studies by fellini and bertolucci as it shows the protagonists exchanging places and the minute tdomestic trivia are rendered like musical montages which fascinate the inner eye ,

it gives a rare and precious insight into the sexual intimacy and te eternal question of what constitutes attraction in human desire .
the movie has a casual chic a natural charm and a spontaneous art with its silent frames and expressive performers .

the enigmatic child -the sexually active neighbour who is an independent modern woman and the nameless lover who visits her at random with the wrinkled face of the age old wizened granny who secretly observes her young grandson falling in love with an older woman is sheer genius .
monisha is truly a great actress as she indulges casually in her chores where ordinary tasks portray cinematic poetry ,
the camera is eloquent as it moves to show her watering plants and listening to music .

this translates into real cinematic language which is reminiscent of dekalog and peeping tom but much more consummate ,

monisha and aditya have a silent interaction where they communicate through a telescope and the audience become the voyeurs .

the woman eats -she moves and she makes love and it is sheer poetry in motion where even buttering a slice of bread transforms into art

rear window
dekalog
summer of 42
mera naam joker
peeping tom

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